An overview on the different Hang Sound Models offered by PANArt 2002 – 2008 for the first generation Hang, the Low Hang, the second generation Hang and the Integral Hang
If you are looking for an overview on the different Hang Sound Models there are some places online that list notations and sound files. However these references are not fully representative of all the variations that have taken place. Until now no information about Low Hang Sound Models from 2005 has been available. Also some discrepancies between notations and sound files in published Sound Model lists exist on some sites. Another lack is a general overview about the Second Generation Hang Sound Models made in 2006 and 2007.
To learn more about Sound Models I started a systematic research on all available references. An important source is PANArt’s former website. A number of versions of www.hang.ch are archived by web.archive.org . So it was possible to find older PANArt Sound Model lists. Although the sound files were not archived by web.archive.org and the lists sometimes don’t indicate the whole scales of the tone circle, it was possible to reconstruct the complete scales by comparing the lists on the former PANArt website with notations and sound files from other sources.
The first Sound Model list was published when PANArt started their new website www.hang.ch in spring 2002. Thirty sound models were offered at that time. In spring 2004 the Sound Models were updated. At that point 45 scales were listed on their website. The first 30 were similar to the models from 2002 but some of them were transposed or modified. In spring 2005 the Hang makers published a new listing with sound models broken out for the Low Hang. The website at that point listed 14 Sound Models in high voice and 13 Sound Models in low voice.
Aside from these officially published Sound Models PANArt also tuned custom and experimental Sound Models. These Sound Models were not documented in any public lists. I also found that some online references contain Sound Model variants not officially offered on the PANArt website but that were likely available through Hang distributors.
For the second generation Hang (2006 – 2007) Hang Makers left the world of ethno musicological scales. They created a sound structure based on a Ding tuned to D3 and tuned half of the tones according to artistic discretion. No lists of available Sound Models were published but customers had to choose their instruments personally in the Hanghaus in Bern. Finally for the Integral Hang introduced in early 2008 Hang makers offered only one Sound Model.
The following lists are constructed from the multiple available references I was able to locate. In the last column of these tables is a reference to where each Sound Model was found. At the end of the article is a footnote listing the sources and the numbers used in the Reference field.
You can listen to sound examples of the first generation sound models in the references No. 5 and 7.
- First Generation Sound Models 2002
lists the 30 scales offered in spring 2002 at www.hang.ch. - First Generation Sound Models 2004
lists the 45 updated scales offered in spring 2004 at www.hang.ch. - Low Hang Sound Models 2005
includes all Sound Models offered as Low Hang in 2005 at www.hang.ch. - First Generation Sound Model Variants
shows 9 Sound Model variants documented from sources other than www.hang.ch. - Overview: All Sound Model Variants 2002-2005
can be used as reference for all Sound Models offered and published 2002-2005. You can compare the existing variants of each Sound Model to see the differences. - Second Generation Sound Models 2006-2007
is an incomplete list of second generation Sound Models culled from several sources. - Sound Model of the Integral Hang
indicates the single Sound Model of the Integral Hang. - References
specifies all references used for these lists.
First Generation Sound Models 2002
These 30 Sound Models were offered when PANArt started their website www.hang.ch in spring 2002. All had 8 notes in the tone circle. A3 Dings and G3 Dings numbered fourteen Sound Models each, and there were two with F3 dings.
No. | Name | Ding | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Reference |
1 | Aeolian | A3 | D4 | E4 | F4 | G4 | A4 | Bb4 | C5 | D5 | 1,4,5,6,7 |
2 | Ake Bono | G3 | C4 | D4 | Eb4 | G4 | Ab4 | C5 | D5 | Eb5 | 1,4,5,6,7 |
3 | Banshiki-Cho | F3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | F5 | 1,4,5,6,7 |
4 | Bayati | A3 | D4 | E*4 | F4 | G4 | A4 | Bb4 | C5 | D5 | 1,4,5,6,7 |
5 | Dorian | A3 | D4 | E4 | F4 | G4 | A4 | B4 | C5 | D5 | 1,4,5,6 |
6 | Harmonic minor | A3 | D4 | E4 | F4 | G4 | A4 | Bb4 | C#5 | D5 | 1,4,5,6,7 |
7 | Hitzaz | A3 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C5 | D5 | 1,4,5,6,7 |
8 | Hitzazkiar / Persian Scale | A3 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C#5 | D5 | 1,4,5,6,7 |
9 | Hungarian major | A3 | C4 | D4 | F4 | Eb4 | Gb4 | Ab4 | A4 | C5 | 1,4,5,6,7 |
10 | Huzam | A3 | D4 | F4 | F#4 | G4 | A4 | B4 | C#5 | D5 | 1,4,5,6,7 |
11 | Ionian | G3 | C4 | D4 | E4 | F4 | G4 | A4 | B4 | C5 | 1,4,5,6 |
12 | Kokin-Choshi | G3 | C4 | Db4 | F4 | G4 | Bb4 | C5 | Db5 | F5 | 1,4,5,6,7 |
13 | Kourd-Atar / Todi |
G3 | C4 | Db4 | Eb4 | F#4 | G4 | Ab4 | B4 | C5 | 1,4,5,6 |
14 | Lydian | G3 | C3 | D4 | E4 | F#4 | G4 | A4 | B4 | C5 | 1,4,5,6 |
15 | Yu-Diao / Minor Penta |
G3 | C4 | Eb4 | F4 | G4 | Bb4 | C5 | Eb5 | F5 | 1,4,5,6,7 |
16 | Neveseri | A3 | D4 | Eb4 | F4 | Gb4 | A4 | Bb4 | C5 | Db5 | 1,4,5,6,7 |
17 | Niavent | A3 | D4 | E4 | F4 | G#4 | A4 | Bb4 | C#5 | D5 | 1,4,6 |
18 | Nirz Rast | G3 | C4 | D4 | E*4 | F4 | G4 | A*4 | Bb4 | C5 | 1,4,5,6,7 |
19 | Gong-Diao / Pentatonic C |
G3 | C4 | D4 | E4 | G4 | A4 | C5 | D5 | E5 | 1,4,5,6,7 |
20 | Zhi-Diao / Pentatonic F |
F3 | C4 | D4 | F4 | G4 | A4 | C5 | D5 | F5 | 1,4,5,6,7 |
21 | Pelog | G3 | C4 | +125 Cts |
+266 Cts |
+563 Cts |
+676 Cts |
+800 Cts |
+965 Cts |
+1220 Cts |
1,4,5,6,7 |
22 | Purvi | A3 | D4 | Eb4 | F#4 | G#4 | A4 | Bb4 | C#5 | D5 | 1,4,6 |
23 | Pygmy | G3 | C4 | D4 | Eb4 | G4 | Bb4 | C5 | D5 | Eb5 | 1,4,5,6,7 |
24 | Rast | G3 | C4 | D4 | E*4 | F4 | G4 | A4 | B*4 | C5 | 1,4,5,6,7 |
25 | Rumanikos | A3 | D4 | E4 | F4 | G#4 | A4 | B4 | C5 | D5 | 1,4,5,6 |
26 | Sabah | A3 | D4 | E4 | F4 | Gb4 | A4 | Bb4 | C5 | C#5 | 1,4,5,6,7 |
27 | Sadjagrama | G3 +9Cts |
C4 | D4 -36Cts |
Eb4 -27Cts |
F4 -9Cts |
G4 +9Cts |
A4 -27Cts |
Bb4 -18Cts |
C5 | 1,4,5,6,7 |
28 | Segiah | A3 | D4 | F4 | F#4 | G4 | A4 | Bb4 | C#5 | D5 | 1,4,5,6,7 |
29 | Sho | G3 | C4 | D4 | Eb4 | F4 | G4 | A4 | C5 | D5 | 1,4,6 |
30 | Slendro | G3 | C4 | +218 Cts |
+473 Cts |
+721 Cts |
+954 Cts |
+1213 Cts |
+1458 Cts |
+1695 Cts |
1,4,5,6,7 |
* = 1 quarter tone lower Cts = Cents (1200 Cts = 1 octace, 100 Cts = 1 semitone) |
First Generation Sound Models 2004
In 2004 PANArt offered 15 additional Sound Models on www.hang.ch and modified some of the prior 30 scales. The sound of the Dings shifted toward the lower tones (1 x Bb3, 13 x A3, 19 x G3, 12 x F3).
No. | Name | Ding | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Reference |
1 | Aeolian | A3 | D4 | E4 | F4 | G4 | A4 | Bb4 | C5 | D5 | 2,4,5,6,7 |
2 | Ake Bono | G3 | C4 | D4 | Eb4 | G4 | Ab4 | C5 | D5 | Eb5 | 2,4,5,6,7 |
3 | Yue-Diao / Banshiki-Cho |
F3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | F5 | 2,4,5,6,7 |
4 | Bayati | A3 | D4 | E*4 | F4 | G4 | A4 | Bb4 | C5 | D5 | 2,4,5,6,7 |
5 | Dorian | G3 | C4 | D4 | Eb4 | F4 | G4 | A4 | Bb4 | C5 | 2,7 |
6 | Harmonic minor | A3 | D4 | E4 | F4 | G4 | A4 | Bb4 | C#5 | D5 | 2,4,5,6,7 |
7 | Hijaz | A3 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C5 | D5 | 2,4,5,6,7 |
8 | Hijaz kar | A3 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C#5 | D5 | 2,4,5,6,7 |
9 | Hungarian major | A3 | C4 | D4 | F4 | Eb4 | Gb4 | Ab4 | A4 | C5 | 2,4,5,6,7 |
10 | Huzam | A3 | D4 | F4 | F#4 | G4 | A4 | B4 | C#5 | D5 | 2,4,5,6,7 |
11 | Ionian | F3 | Bb3 | C4 | D4 | Eb4 | F4 | G4 | A4 | Bb4 | 2,4,5,7 |
12 | Kokin-Choshi | G3 | C4 | Db4 | F4 | G4 | Bb4 | C5 | Db5 | F5 | 2,4,5,6,7 |
13 | Kourd-Atar / Todi |
A3 | D4 | Eb4 | F4 | G#4 | A4 | Bb4 | C#5 | D5 | 2,7 |
14 | Lydian | F3 | Bb3 | C4 | D4 | E4 | F4 | G4 | A4 | Bb4 | 2 |
15 | Yu-Diao / Minor Penta |
G3 | C4 | Eb4 | F4 | G4 | Bb4 | C5 | Eb5 | F5 | 2,4,5,6,7 |
16 | Neveseri | A3 | D4 | Eb4 | F4 | Gb4 | A4 | Bb4 | C5 | Db5 | 2,4,5,6,7 |
17 | Niavent | A3 | D4 | E4 | F4 | G#4 | A4 | Bb4 | C#5 | D5 | 2,4,6 |
18 | Nirz Rast | G3 | C4 | D4 | E*4 | F4 | G4 | A*4 | Bb4 | C5 | 2,4,5,6,7 |
19 | Gong-Diao / Pentatonic C |
G3 | C4 | D4 | E4 | G4 | A4 | C5 | D5 | E5 | 2,4,5,6,7 |
20 | Zhi-Diao / Pentatonic F |
F3 | C4 | D4 | F4 | G4 | A4 | C5 | D5 | F5 | 2,4,5,6,7 |
21 | Pelog | G3 | C4 | +125 Cts |
+266 Cts |
+563 Cts |
+676 Cts |
+800 Cts |
+965 Cts |
+1220 Cts |
2,4,5,6,7 |
22 | Purvi | A3 | D4 | Eb4 | F#4 | G#4 | A4 | Bb4 | C#5 | D5 | 2,4,6 |
23 | Pygmy | G3 | C4 | D4 | Eb4 | G4 | Bb4 | C5 | D5 | Eb5 | 2,4,5,6,7 |
24 | Rast | G3 | C4 | D4 | E*4 | F4 | G4 | A4 | B*4 | C5 | 2,4,5,6,7 |
25 | Rumanikos | G3 | C4 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C5 | 2,7 |
26 | Sabah | A3 | D4 | E4 | F4 | Gb4 | A4 | Bb4 | C5 | C#5 | 2,4,5,6,7 |
27 | Sadjagrama | G3 +9Cts |
C4 | D4 -36Cts |
Eb4 -27Cts |
F4 -9Cts |
G4 +9Cts |
A4 -27Cts |
Bb4 -18Cts |
C5 | 2,4,5,6,7 |
28 | Segiah | A3 | D4 | F4 | F#4 | G4 | A4 | Bb4 | C#5 | D5 | 2,4,5,6,7 |
29 | Sho | G3 | C4 | D4 | Eb4 | F4 | G4 | A4 | C5 | D5 | 2,4,6 |
30 | Slendro | G3 | C4 | +218 Cts |
+473 Cts |
+721 Cts |
+954 Cts |
+1213 Cts |
+1458 Cts |
+1695 Cts |
2,4,5,6,7 |
31 | Blues | G3 | C4 | Eb4 | F4 | F#4 | G4 | Bb4 | C5 | Eb5 | 2,6,7 |
32 | Goonkali | G3 | C4 | Db4 | F4 | G4 | A4b | C5 | Db5 | F5 | 2,6,7 |
33 | Iwato | F3 | C4 | Db4 | F4 | Gb4 | Bb4 | C5 | Db5 | F5 | 2,6,7 |
34 | Kumoi | G3 | C4 | D4 | Eb4 | G4 | A4 | C5 | D5 | Eb5 | 2,6,7 |
35 | Locrian | F3 | C4 | Db4 | Eb4 | F4 | Gb4 | Ab4 | Bb4 | C5 | 2,6,7 |
36 | Madhyama- grama |
F3 | C4 | D4 -36Cts |
Eb4 -27Cts |
F4 -9Cts |
G4 -45Cts |
A4 -27Cts |
Bb4 -18Cts |
C5 | 2 |
37 | Magen Abot | Bb3 | D4 | Eb4 | F4 | Gb4 | Ab4 | Bb4 | C#5 | D5 | 2,4,6,7 |
38 | Melog / Selisir |
F3 | A3 | Bb3 | C4 | E4 | F4 | A4 | Bb4 | C5 | 2,4,6,7 |
39 | Mixolydian | G3 | C4 | D4 | E4 | F4 | G4 | A4 | Bb4 | C5 | 2,4,6,7 |
40 | Overtone Scale | G3 | C4 | E4 -14Cts |
G4 +2Cts |
Bb4 -31Cts |
C5 | D5 +4Cts |
E5 -14Cts |
F5 +51Cts |
2,4,7 |
41 | Noh | F3 | Bb3 | C4 | Eb4 | F4 | F#4 | G4 | A4 | Bb4 | 2,7 |
42 | Phrygian | G3 | C4 | Db4 | Eb4 | F4 | G4 | Ab4 | Bb4 | C5 | 2,7 |
43 | Pyeong Jo | F3 | C4 | D4 | F4 | A4 | Bb4 | C5 | D5 | F5 | 2,4,6,7 |
44 | Shang-Diao | F3 | Bb3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | 2,4,6,7 |
45 | Zokuso | F3 | C4 | Db4 | F4 | Gb4 | Ab4 | C5 | Db5 | F5 | 2,7 |
* = 1 quarter tone lower Cts = Cents (1200 Cts = 1 octace, 100 Cts = 1 semitone) |
Low Hang Sound Models 2005
The Low Hang was built in high voice with 8 tone fields in the circle and in low voice with 7 tone fields in the circle. A new tuning process with intermittent heating of the upper hemisphere of the Hang enabled the tuning of lower tones in a refined quality. All Low Hang Sound Models listed on www.hang.ch had a Ding in F. 14 sound models in high voice and 13 Sound Models in low voice were offered in 2005. However the older scales were available too.
Name | Ding | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Reference |
High Voice (8 tone fields in the circle) | ||||||||||
Gong-Diao | F3 | Bb3 | C4 | D4 | F4 | G4 | Bb4 | C5 | D5 | 3,8 |
Shang-Diao | F3 | Bb3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | 3,8 |
Yue-Diao | F3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | F5 | 3,8 |
Zhi-Diao | F3 | C4 | D4 | F4 | G4 | A4 | C5 | D5 | F5 | 3,8 |
Yu-Diao | F3 | Bb3 | Db4 | Eb4 | F4 | Ab4 | Bb4 | Db5 | Eb5 | 3,8 |
Ake Bono-Joshi | F3 | Bb3 | C4 | Db4 | F4 | Gb4 | Bb4 | C5 | Db5 | 3,8 |
Iwato-Joshi | F3 | C4 | Db4 | F4 | Gb4 | Bb4 | C5 | Db5 | F5 | 3,8 |
Goonkali | F3 | C4 | Db4 | F4 | G4 | Ab4 | C5 | Db5 | F5 | 3,8 |
Pygmy | F3 | Bb3 | C4 | Db4 | F4 | Ab4 | Bb4 | C5 | Db5 | 3,8 |
Pyeong Yo | F3 | C4 | D4 | F4 | A4 | Bb4 | C5 | D5 | F5 | 3,8 |
Kumoi-Joshi | F3 | Bb3 | C4 | Db4 | F4 | G4 | Bb4 | C5 | Db5 | 3,8 |
Kokin-Joshi | F3 | C4 | Db4 | F4 | G4 | Bb4 | C5 | Db5 | F5 | 3,8 |
Zokuso-Joshi | F3 | C4 | Db4 | F4 | Gb4 | Ab4 | C5 | Db5 | F5 | 3,8 |
Melog | F3 | A3 | Bb3 | C4 | E4 | F4 | A4 | Bb4 | C5 | 3,8 |
Low Voice (7 tone fields in the circle) | ||||||||||
Gong-Diao | F3 | G3 | A3 | C4 | D4 | F4 | G4 | A4 | 3,8 | |
Shang-Diao | F3 | G3 | Bb3 | C4 | Eb4 | F4 | G4 | Bb4 | 3,8 | |
Yue-Diao | F3 | Ab3 | Bb3 | Db4 | Eb4 | F4 | Ab4 | Bb4 | 3,8 | |
Zhi-Diao | F3 | G3 | Bb3 | C4 | D4 | F4 | G4 | Bb4 | 3,8 | |
Yu-Diao | F3 | Ab3 | Bb3 | C4 | Eb4 | F4 | Ab4 | Bb4 | 3,8 | |
Ake Bono-Joshi | F3 | G3 | Ab3 | C4 | Db4 | F4 | G4 | Ab4 | 3,8 | |
Iwato-Joshi | F3 | Gb3 | Bb3 | B3 | Eb4 | F4 | Gb4 | Bb4 | 3,8 | |
Goonkali | F3 | Gb3 | Bb3 | C4 | Db4 | F4 | Gb4 | Bb4 | 3,8 | |
Pygmy | F3 | G3 | Ab3 | C4 | Eb4 | F4 | G4 | Ab4 | 3,8 | |
Pyeong Yo | F3 | G3 | Bb3 | D4 | Eb4 | F4 | G4 | Bb4 | 3,8 | |
Kumoi-Joshi | F3 | G3 | Ab3 | C4 | D4 | F4 | G4 | Ab4 | 3,8 | |
Kokin-Joshi | F3 | Gb3 | Bb3 | C4 | Eb4 | F4 | Gb4 | Bb4 | 3,8 | |
Zokuso-Joshi | F3 | Gb3 | Bb3 | B3 | Db4 | F4 | Gb4 | Bb4 | 3,8 |
First Generation Sound Model Variants
These 9 modifications of Sound Models are listed in some references but not on www.hang.ch.
No. | Name | Ding | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Reference |
17 | Niavent | G3 | C4 | D4 | Eb4 | F#4 | G4 | Ab4 | B4 | C5 | 5,7 |
22 | Purvi | Ab | C | Db | E | F# | G | Ab | B | C | 5,7 |
29 | Sho | A3 | C4 | D4 | Eb4 | F4 | G4 | A4 | C5 | D5 | 5,7 |
35 | Locrian | E3 | B3 | C4 | D4 | E4 | F4 | G4 | A4 | B4 | 4,6 |
36 | Madhyama- grama |
G3 | C4 | D4 -36Cts |
Eb4 -27Cts |
F4 -9Cts |
G4 -45Cts |
A4 -27Cts |
Bb4 -18Cts |
C5 | 4,6,7 |
40 | Overtone Scale | Bb3 | D4 | Eb4 | F4 | Gb4 | Ab4 | Bb4 | C#5 | D5 | 6 |
41 | Noh | G3 | C4 | D4 | F4 | G4 | G#4 | A4 | B4 | C5 | 4,6 |
42 | Phrygian | F#3 | B3 | C4 | D4 | E4 | F#4 | G4 | A4 | B4 | 4,6 |
45 | Zokuso | E3 | B3 | C4 | E4 | F4 | G4 | B4 | C5 | E5 | 4,6 |
Cts = Cents (1200 Cts = 1 octace, 100 Cts = 1 semitone) |
Overview: All Sound Model Variants 2002-2005
The following table lists all Sound Model variants in the three tables above. You can compare the existing variants of each sound model to see the differences.
No. | Name | Year | Ding | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Reference |
1 | Aeolian | 2002/04 | A3 | D4 | E4 | F4 | G4 | A4 | Bb4 | C5 | D5 | 1,2,4,5,6,7 |
2 | Ake Bono | 2002/04 | G3 | C4 | D4 | Eb4 | G4 | Ab4 | C5 | D5 | Eb5 | 1,2,4,5,6,7 |
Ake Bono-Joshi (high) | 2005 | F3 | Bb3 | C4 | Db4 | F4 | Gb4 | Bb4 | C5 | Db5 | 3,8 | |
Ake Bono-Joshi (low) | 2005 | F3 | G3 | Ab3 | C4 | Db4 | F4 | G4 | Ab4 | 3,8 | ||
3 | Yue-Diao / Banshiki-Cho |
2002/04 | F3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | F5 | 1,2,4,5,6,7 |
Yue-Diao (high) | 2005 | F3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | F5 | 3,8 | |
Yue-Diao (low) | 2005 | F3 | Ab3 | Bb3 | Db4 | Eb4 | F4 | Ab4 | Bb4 | 3,8 | ||
4 | Bayati | 2002/04 | A3 | D4 | E*4 | F4 | G4 | A4 | Bb4 | C5 | D5 | 1,2,4,5,6,7 |
5 | Dorian | 2002 | A3 | D4 | E4 | F4 | G4 | A4 | B4 | C5 | D5 | 1,4,5,6 |
5 | Dorian | 2004 | G3 | C4 | D4 | Eb4 | F4 | G4 | A4 | Bb4 | C5 | 2,7 |
6 | Harmonic minor | 2002/04 | A3 | D4 | E4 | F4 | G4 | A4 | Bb4 | C#5 | D5 | 1,2,4,5,6,7 |
7 | Hijaz / Hitzaz | 2002/04 | A3 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C5 | D5 | 1,2,4,5,6,7 |
8 | Hijaz kar / Hitzazkiar | 2002/04 | A3 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C#5 | D5 | 1,2,4,5,6,7 |
9 | Hungarian major | 2002/04 | A3 | C4 | D4 | F4 | Eb4 | Gb4 | Ab4 | A4 | C5 | 1,2,4,5,6,7 |
10 | Huzam | 2002/04 | A3 | D4 | F4 | F#4 | G4 | A4 | B4 | C#5 | D5 | 1,2,4,5,6,7 |
11 | Ionian | 2002 | G3 | C4 | D4 | E4 | F4 | G4 | A4 | B4 | C5 | 1,4,5,6 |
11 | Ionian | 2004 | F3 | Bb3 | C4 | D4 | Eb4 | F4 | G4 | A4 | Bb4 | 2,4,5,7 |
12 | Kokin-Choshi | 2002/04 | G3 | C4 | Db4 | F4 | G4 | Bb4 | C5 | Db5 | F5 | 1,2,4,5,6,7 |
Kokin-Joshi (high) | 2005 | F3 | C4 | Db4 | F4 | G4 | Bb4 | C5 | Db5 | F5 | 3,8 | |
Kokin-Joshi (low) | 2005 | F3 | Gb3 | Bb3 | C4 | Eb4 | F4 | Gb4 | Bb4 | 3,8 | ||
13 | Kourd-Atar / Todi |
2002 | G3 | C4 | Db4 | Eb4 | F#4 | G4 | Ab4 | B4 | C5 | 1,4,5,6 |
13 | Kourd-Atar / Todi |
2004 | A3 | D4 | Eb4 | F4 | G#4 | A4 | Bb4 | C#5 | D5 | 2,7 |
14 | Lydian | 2002 | G3 | C3 | D4 | E4 | F#4 | G4 | A4 | B4 | C5 | 1,4,5,6 |
14 | Lydian | 2004 | F3 | Bb3 | C4 | D4 | E4 | F4 | G4 | A4 | Bb4 | 2 |
15 | Yu-Diao / Minor Penta |
2002/04 | G3 | C4 | Eb4 | F4 | G4 | Bb4 | C5 | Eb5 | F5 | 1,2,4,5,6,7 |
Yu-Diao (high) | 2005 | F3 | Bb3 | Db4 | Eb4 | F4 | Ab4 | Bb4 | Db5 | Eb5 | 3,8 | |
Yu-Diao (low) | 2005 | F3 | Ab3 | Bb3 | C4 | Eb4 | F4 | Ab4 | Bb4 | 3,8 | ||
16 | Neveseri | 2002/04 | A3 | D4 | Eb4 | F4 | Gb4 | A4 | Bb4 | C5 | Db5 | 1,2,4,5,6,7 |
17 | Niavent | 2002/04 | A3 | D4 | E4 | F4 | G#4 | A4 | Bb4 | C#5 | D5 | 1,2,4,6 |
17 | Niavent | ? | G3 | C4 | D4 | Eb4 | F#4 | G4 | Ab4 | B4 | C5 | 5,7 |
18 | Nirz Rast | 2002/04 | G3 | C4 | D4 | E*4 | F4 | G4 | A*4 | Bb4 | C5 | 1,2,4,5,6,7 |
19 | Gong-Diao / Pentatonic C |
2002/04 | G3 | C4 | D4 | E4 | G4 | A4 | C5 | D5 | E5 | 1,2,4,5,6,7 |
Gong-Diao (high) | 2005 | F3 | Bb3 | C4 | D4 | F4 | G4 | Bb4 | C5 | D5 | 3,8 | |
Gong-Diao (low) | 2005 | F3 | G3 | A3 | C4 | D4 | F4 | G4 | A4 | 3,8 | ||
20 | Zhi-Diao / Pentatonic F |
2002/04 | F3 | C4 | D4 | F4 | G4 | A4 | C5 | D5 | F5 | 1,2,4,5,6,7 |
Zhi-Diao (high) | 2005 | F3 | C4 | D4 | F4 | G4 | A4 | C5 | D5 | F5 | 3,8 | |
Zhi-Diao (low) | 2005 | F3 | G3 | Bb3 | C4 | D4 | F4 | G4 | Bb4 | 3,8 | ||
21 | Pelog | 2002/04 | G3 | C4 | +125 Cts |
+266 Cts |
+563 Cts |
+676 Cts |
+800 Cts |
+965 Cts |
+1220 Cts |
1,2,4,5,6,7 |
22 | Purvi | 2002/04 | A3 | D4 | Eb4 | F#4 | G#4 | A4 | Bb4 | C#5 | D5 | 1,2,4,6 |
22 | Purvi | ? | Ab | C | Db | E | F# | G | Ab | B | C | 5,7 |
23 | Pygmy | 2002/04 | G3 | C4 | D4 | Eb4 | G4 | Bb4 | C5 | D5 | Eb5 | 1,2,4,5,6,7 |
Pygmy (high) | 2005 | F3 | Bb3 | C4 | Db4 | F4 | Ab4 | Bb4 | C5 | Db5 | 3,8 | |
Pygmy (low) | 2005 | F3 | G3 | Ab3 | C4 | Eb4 | F4 | G4 | Ab4 | 3,8 | ||
24 | Rast | 2002/04 | G3 | C4 | D4 | E*4 | F4 | G4 | A4 | B*4 | C5 | 1,2,4,5,6,7 |
25 | Rumanikos | 2002 | A3 | D4 | E4 | F4 | G#4 | A4 | B4 | C5 | D5 | 1,4,5,6 |
25 | Rumanikos | 2004 | G3 | C4 | D4 | Eb4 | F#4 | G4 | A4 | Bb4 | C5 | 2,7 |
26 | Sabah | 2002/04 | A3 | D4 | E4 | F4 | Gb4 | A4 | Bb4 | C5 | C#5 | 1,2,4,5,6,7 |
27 | Sadjagrama | 2002/04 | G3 +9Cts |
C4 | D4 -36Cts |
Eb4 -27Cts |
F4 -9Cts |
G4 +9Cts |
A4 -27Cts |
Bb4 -18Cts |
C5 | 1,2,4,5,6,7 |
28 | Segiah | 2002/04 | A3 | D4 | F4 | F#4 | G4 | A4 | Bb4 | C#5 | D5 | 1,2,4,5,6,7 |
29 | Sho | 2002/04 | G3 | C4 | D4 | Eb4 | F4 | G4 | A4 | C5 | D5 | 1,2,4,6 |
29 | Sho | ? | A3 | C4 | D4 | Eb4 | F4 | G4 | A4 | C5 | D5 | 5,7 |
30 | Slendro | 2002/04 | G3 | C4 | +218 Cts |
+473 Cts |
+721 Cts |
+954 Cts |
+1213 Cts |
+1458 Cts |
+1695 Cts |
1,2,4,5,6,7 |
31 | Blues | 2004 | G3 | C4 | Eb4 | F4 | F#4 | G4 | Bb4 | C5 | Eb5 | 2,6,7 |
32 | Goonkali | 2004 | G3 | C4 | Db4 | F4 | G4 | A4b | C5 | Db5 | F5 | 2,6,7 |
Goonkali (high) | 2005 | F3 | C4 | Db4 | F4 | G4 | Ab4 | C5 | Db5 | F5 | 3,8 | |
Goonkali (low) | 2005 | F3 | Gb3 | Bb3 | C4 | Db4 | F4 | Gb4 | Bb4 | 3,8 | ||
33 | Iwato | 2004 | F3 | C4 | Db4 | F4 | Gb4 | Bb4 | C5 | Db5 | F5 | 2,6,7 |
Iwato-Joshi (high) | 2005 | F3 | C4 | Db4 | F4 | Gb4 | Bb4 | C5 | Db5 | F5 | 3,8 | |
Iwato-Joshi (low) | 2005 | F3 | Gb3 | Bb3 | B3 | Eb4 | F4 | Gb4 | Bb4 | 3,8 | ||
34 | Kumoi | 2004 | G3 | C4 | D4 | Eb4 | G4 | A4 | C5 | D5 | Eb5 | 2,6,7 |
Kumoi-Joshi (high) | 2005 | F3 | Bb3 | C4 | Db4 | F4 | G4 | Bb4 | C5 | Db5 | 3,8 | |
Kumoi-Joshi (low) | 2005 | F3 | G3 | Ab3 | C4 | D4 | F4 | G4 | Ab4 | 3,8 | ||
35 | Locrian | 2004 | F3 | C4 | Db4 | Eb4 | F4 | Gb4 | Ab4 | Bb4 | C5 | 2,6,7 |
35 | Locrian | ? | E3 | B3 | C4 | D4 | E4 | F4 | G4 | A4 | B4 | 4,6 |
36 | Madhyama- grama |
2004 | F3 | C4 | D4 -36Cts |
Eb4 -27Cts |
F4 -9Cts |
G4 -45Cts |
A4 -27Cts |
Bb4 -18Cts |
C5 | 2 |
36 | Madhyama- grama |
? | G3 | C4 | D4 -36Cts |
Eb4 -27Cts |
F4 -9Cts |
G4 -45Cts |
A4 -27Cts |
Bb4 -18Cts |
C5 | 4,6,7 |
37 | Magen Abot | 2004 | Bb3 | D4 | Eb4 | F4 | Gb4 | Ab4 | Bb4 | C#5 | D5 | 2,4,6,7 |
38 | Melog / Selisir |
2004 | F3 | A3 | Bb3 | C4 | E4 | F4 | A4 | Bb4 | C5 | 2,4,6,7 |
Melog (high) | 2005 | F3 | A3 | Bb3 | C4 | E4 | F4 | A4 | Bb4 | C5 | 3,8 | |
39 | Mixolydian | 2004 | G3 | C4 | D4 | E4 | F4 | G4 | A4 | Bb4 | C5 | 2,4,6,7 |
40 | Overtone Scale | 2004 | G3 | C4 | E4 -14Cts |
G4 +2Cts |
Bb4 -31Cts |
C5 | D5 +4Cts |
E5 -14Cts |
F5 +51Cts |
2,4,7 |
40 | Overtone Scale | ? | Bb3 | D4 | Eb4 | F4 | Gb4 | Ab4 | Bb4 | C#5 | D5 | 6 |
41 | Noh | 2004 | F3 | Bb3 | C4 | Eb4 | F4 | F#4 | G4 | A4 | Bb4 | 2,7 |
41 | Noh | ? | G3 | C4 | D4 | F4 | G4 | G#4 | A4 | B4 | C5 | 4,6 |
42 | Phrygian | 2004 | G3 | C4 | Db4 | Eb4 | F4 | G4 | Ab4 | Bb4 | C5 | 2,7 |
42 | Phrygian | ? | F#3 | B3 | C4 | D4 | E4 | F#4 | G4 | A4 | B4 | 4,6 |
43 | Pyeong Jo | 2004 | F3 | C4 | D4 | F4 | A4 | Bb4 | C5 | D5 | F5 | 2,4,6,7 |
Pyeong Yo (high) | 2005 | F3 | C4 | D4 | F4 | A4 | Bb4 | C5 | D5 | F5 | 3,8 | |
Pyeong Yo (low) | 2005 | F3 | G3 | Bb3 | D4 | Eb4 | F4 | G4 | Bb4 | 3,8 | ||
44 | Shang-Diao | 2004 | F3 | Bb3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | 2,4,6,7 |
Shang-Diao (high) | 2005 | F3 | Bb3 | C4 | Eb4 | F4 | Ab4 | Bb4 | C5 | Eb5 | 3,8 | |
Shang-Diao (low) | 2005 | F3 | G3 | Bb3 | C4 | Eb4 | F4 | G4 | Bb4 | 3,8 | ||
45 | Zokuso | 2004 | F3 | C4 | Db4 | F4 | Gb4 | Ab4 | C5 | Db5 | F5 | 2,7 |
Zokuso-Joshi (high) | 2005 | F3 | C4 | Db4 | F4 | Gb4 | Ab4 | C5 | Db5 | F5 | 3,8 | |
Zokuso-Joshi (low) | 2005 | F3 | Gb3 | Bb3 | B3 | Db4 | F4 | Gb4 | Bb4 | 3,8 | ||
45 | Zokuso | ? | E3 | B3 | C4 | E4 | F4 | G4 | B4 | C5 | E5 | 4,6 |
* = 1 quarter tone lower Cts = Cents (1200 Cts = 1 octace, 100 Cts = 1 semitone) (high) = Low Hang 2005 in high voice (8 notes in the circle) (low) = Low Hang 2005 in low voice (7 notes in the circle) |
Second Generation Sound Models 2006-2007
In 2006 and 2007 the Hang Makers chose a whole new conceptual approach for the second generation of the Hanghang. Starting with a D3 Ding, A3 was the lowest note in the tone circle and the octaves of these two notes, D4 and A4 were in the circle as well. Almost all second generation Hanghang are built with this basic structure. The other notes are chosen by the tuner based on each instrument according to artistic discretion. Second generation models are predominantly configured with seven notes in the tone circle.
The following table of second generation Hanghang is not exhaustive. The Reference field indicates where the listed Sound Models were found.
Ding | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Year | Reference |
D3 | A3 | Bb3 | C4 | D4 | E4 | F4 | A4 | 2006/07 | 10 | |
D3 | A3 | Bb3 | C4 | D4 | E4 | F4 | G4 | A4 | 2007 | 15 |
D3 | A3 | Bb3 | C4 | D4 | E4 | F#4 | A4 | 2006 | 10 | |
D3 | A3 | Bb3 | C4 | D4 | F4 | G4 | A4 | 2007 | 15 | |
D3 | A3 | Bb3 | C#4 | D4 | E4 | F4 | A4 | 2006 | 9,13 | |
D3 | A3 | Bb3 | C#4 | D4 | E4 | G4 | A4 | 2006 | 15 | |
D3 | A3 | Bb3 | D4 | E4 | F4 | G4 | A4 | 2007 | 10,15 | |
D3 | A3 | Bb3 | D4 | E4 | F#4 | G4 | A4 | 2006 | 12 | |
D3 | A3 | Bb3 | D4 | F4 | G4 | A4 | C5 | 2007 | 10 | |
D3 | A3 | B3 | C4 | D4 | E4 | F4 | A4 | 2007 | 15 | |
D3 | A3 | B3 | C#4 | D4 | E4 | F#4 | A4 | 2007 | 10 | |
D3 | A3 | B3 | C#4 | D4 | F#4 | G4 | A4 | 2007 | 10 | |
D3 | A3 | C4 | D4 | Eb4 | F#4 | G4 | A4 | 2007 | 13 | |
D3 | A3 | C4 | D4 | E4 | F4 | G4 | A4 | 2007 | 10,15 | |
D3 | A3 | C4 | D4 | E4 | F4 | G4 | A4 | Bb4 | ? | 14 |
D3 | A3 | C4 | D4 | E4 | F4 | G#4 | A4 | C5 | 2006 | 15 |
D3 | A3 | C4 | D4 | E4 | F4 | A4 | Bb4 | ? | 11 | |
D3 | A3 | C4 | D4 | E4 | F#4 | G4 | A4 | 2007 | 9 | |
D3 | A3 | C4 | D4 | E4 | G4 | A4 | Bb4 | 2006 | 15 | |
D3 | A3 | C4 | D4 | F4 | G4 | A4 | Bb4 | 2007 | 10 | |
D3 | A3 | D4 | E4 | F4 | G4 | A4 | Bb4 | 2007 | 10 | |
D3 | A3 | D4 | E4 | F4 | A4 | C5 | D5 | 2006 | 13 |
Sound Model of the Integral Hang
The Integral Hang introduced in February 2008 only is one model and one set of notes. There are currently no other models being offered.
Ding | 1 | 2 | 3 | 4 | 5 | 6 | 7 | Reference |
D3 | A3 | Bb3 | C4 | D4 | E4 | F4 | A4 | 16 |
References
1 | www.hang.ch 2002 Sound Model list published on the former PANArt website in April or May 2002 Pages archived by web.archive.org: Link1 , link2 , link3 The list includes the name of the Sound Models and the note of the Ding and the lowest tone field in the circle. The sound files were not archived by web.archive.org. |
2 | www.hang.ch 2004 Sound Model list on the former PANArt website updated in January or February 2004 Pages archived by web.archive.org: Link1 , link2 , link3 , link4 The list includes the name of the Sound Models and the note of the Ding and the lowest tone field in the circle. The sound files were not archived by web.archive.org. |
3 | www.hang.ch 2005 Sound Model list on the former PANArt website updated in February or March 2005 Page archived by web.archive.org: Link The list includes the name of the Sound Models and the complete scale. The sound files were not archived by web.archive.org. |
4 | www.oddmusic.com (notations) Notations of Sound Models No. 1-30 and 35-45 at www.oddmusic.com |
5 | www.oddmusic.com (sound files) Sound files of Sound Models No. 1-30 at www.oddmusic.com |
6 | www.hangmania.fr (notations) Notations of Sound Models No. 1-45 at www.hangmania.fr |
7 | www.hangmania.fr (sound files) Sound files of Sound Models No. 1-45 at www.hangmania.fr |
8 | Anklang Musikwelt 2005 Sound Model list 2005 of the former German Hang distributor Anklang Musikwelt (paper copy) |
9 | Hang-Music Forum Second generation Sound Models posted at www.hang-music.com/forum |
10 | www.gothang.com Second generation Sound Models listed in the database at www.gothang.com |
11 | Hang Players Directory Second generation Sound Models mentioned in the Hang Players Directory at www.hang-music.com |
12 | Hang Fan Forum Second generation Sound Models posted at www.hangfan.co.uk/forum/ |
13 | Ebay Second generation Sound Models mentioned in Ebay auctions |
14 | YouTube Second generation Sound Models found in YouTube Videos |
15 | Personal Information Second generation Sound Models mentioned in personal information |
16 | Hang Booklet 2008 This booklet was published by PANArt in early 2008 in several languages and sent to all customers of the Integral Hang. It is published online as PDF on www.hangblog.org. |